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On the cover:
THE BOX
When I see driven nails I think of the hammer and the hand, his mood, the weather, the time of year, what he packed for lunch, how built-up was the house, the neighborhood, could he see another job from here?
And where was the lumber stacked, in what closet stood the nail kegs, where did the boss unroll the plans, which room was chosen for lunch? And where did the sun strike first? Which wall cut the wind?
What was the picture in his mind as the hammer hit the nail? A conversation? Another joke, a cigarette or Friday, getting drunk, a woman, his wife, his youngest kid or a side job he planned to make ends meet?
Maybe he just pictured the nail, the slight swirl in the center of the head and raised the hammer, and brought it down with fury and with skill and sank it with a single blow.
Not a difficult trick for a journeyman, no harder than figuring stairs or a hip-and-valley roof or staking out a lot, but neither is a house, a house is just a box fastened with thousands of nails.